https://monitoraraucano.uchile.cl/index.php/TR/issue/feed 2025-01-20T14:14:09+00:00 Revista TEATRO revistadetuch.artes@uchile.cl Open Journal Systems <p>El Teatro Experimental de la Universidad de Chile, al lanzar esta publicación, cree complementar en forma eficaz la labor que ha estado efectuando sobre los escenarios, y da un paso más en la realización de sus propósitos iniciales de dar a conocer nuevas obras, presentar nuevos valores, hacer escuela de cultura y fomentar el desarrollo de un ambiente teatral chileno. &nbsp; Desde hace tiempo se hace sentir en nuestro medio cultural la ausencia de una revista o de una publicación que enfoque la actividad teatral desde un punto de vista artítico-técnico con miras a documentar y orientar la opinión pública sobre los múltiples aspectos que comprende el arte escénico. Contrariamente a lo que ocurre en países de cultura más avanzada que la nuestra, en Chile el espectador concurre a los espectáculos teatrales desprovisto de los puntos de referencia más esenciales para gustar y juzgar lo que ve. A proporcionar esas bases de apreciación estarán destinadas las páginas de estas publicaciones. No es, pues, nuestro propósito lanzar una revista más sobre el diario vivir de entre bastidores, aunque por naturaleza deberá abordar la actualidad del ambiente, sino crear un verdadero instrumento de cultura en consonancia con los propósitos extradocentes de la Universidad. &nbsp; La parte nuclear de estas ediciones, la constituirá siempre la publicación de alguna obra de teatro, chilena o extranjera, de alta calidad artística, inédita o desconocida en el país. Acompañará a ésta, un artículo de valor sobre técnica y estética dramática, interpretativa o escenográfica, escrito por alguna persona realmente autorizada en la materia. Y, por último, la actualidad, tanto del país como del movimiento escénico universal, será captada en crónicas y análisis críticos encuadrados siempre dentro de la línea de difusión cultural trazada por estas ediciones. &nbsp; Considerando la importancia histórica de la Revista de Teatro, La Dirección de Bibliotecas de la Facultad de Arte la incluyo en el Proyecto de Digitalización de publicaciones patrimoniales ingresándola al Portal de Revistas de la Universidad de Chile en el año 2013.</p> https://monitoraraucano.uchile.cl/index.php/TR/article/view/77507 2025-01-20T00:39:45+00:00 Centro de Investigación, Archivo y Documentación Teatral. revistas.academicas@uchile.cl 2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77508 2025-01-20T00:44:10+00:00 Javier Riveros revistas.academicas@uchile.cl 2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77509 2025-01-20T00:49:57+00:00 Alberto Kurapel revistas.academicas@uchile.cl

This essay addresses, from personal testimony, the experience of exile of Alberto Kurapel and the Compagnie des Arts Exilio in Canada. Through a journey that mixes the exercise of memory with critical reflection on Performance Theatre, the text documents the richness of this artistic trajectory characterized by the signs of the cultural and political diaspora that many Chilean artists experienced from 1973 onwards.

2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77510 2025-01-20T00:55:43+00:00 Marco Espinoza Quezada revistas.academicas@uchile.cl

Based on a first attempt at documentary systematization, this paper covers relevant episodes in the history associated with the emergence and consolidation of the Festival of New Theater Directors organized by DETUCH between 2001 and 2017. This event is intertwined with the tradition of the Festival of New Tendencies, also originally associated with the Master’s Degree in Theater Direction at the University of Chile.

2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77517 2025-01-20T11:47:02+00:00 Tania Faúndez Carreño revistas.academicas@uchile.cl Gisselle Arias Burgos revistas.academicas@uchile.cl

The creation of the Chilean Actors and Actresses Union, SIDARTE, took place on September 14, 1967 in the city of Santiago. Although SIDARTE has a long history at the metropolitan level, it is from 2013, under the presidency of Andrea Gutiérrez (2013-2017), that subsidiaries began to be established at the national level. The Ñuble region, created in 2018, previously belonging to the Biobío region, joined the national union with the creation of its subsidiary in 2019, in the context of the ENTEPACH XXV Festival (Theater Meeting for Chillán) . This research seeks to account for the work carried out by SIDARTE in the Ñuble region through a mixed methodology. For this purpose, a survey was applied to the current members to systematize the number of professional or trade actors/skills, such as the areas that they develop the most in the region; and, on the other hand, the presidents who have directed the subsidiary in these 5 years of experience were interviewed. In this way, this study provides evidence about regional theater unionism in 21st century Chile.

2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77518 2025-01-20T11:53:39+00:00 Marco Reyes Coca revistas.academicas@uchile.cl

The master Enrique Gajardo, driven by his love for the Performing Arts and educational broadcasting, caused a “cultural explosion” in Chillán from 1940 to 1999. By creating the Institute for Cultural Extension of Chillán (INECUCH), he was determined to educate a static and retrograde community through the communication power of broadcasting. Meanwhile, since 1951, through the Theater of the University of Chile-Chillán, he created a true “theatrical powerhouse” from the Shaefer Hall, representing classical and contemporary works, sowing “seeds that continue to germinate”.

2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77519 2025-01-20T12:07:05+00:00 Javiera Brignardello revistas.academicas@uchile.cl Patrizio Gecele Muñoz revistasacademicas@uchile.cl

Archives and theatricalities of the Chilean exile in Costa Rica (1970-1980) is a research that seeks to make visible the work of Chilean theater artists exiled in this Caribbean country during the seventies and eighties, as a result of the Chilean dictatorship in the context of the Cold War, where all of Latin America was under authoritarian regimes. This work seeks to identify and understand the theatrical work that these artists developed in exile in Costa Rica, based on three axes: collaboration networks, production modes, and staging strategies. The particularity of this study is that all the research was carried out from archive material, specifically two documentary collections: (1) the Huellas de Exilio Collection of the Arde Archive and (2) the Documentary Fund of Theater Albums of Bélgica Castro and Alejandro Sieveking, from the Research and Archives Program of the Theater Scene UC.

2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77520 2025-01-20T12:13:58+00:00 Nicolás Poblete Rodríguez revistas.academicas@uchile.cl

This article examines the tribute to Javier Riveros Basoalto, held within the framework of the Second Meeting of Archives, Documentation and Theatrical Heritage, as a paradigmatic case of a living archive. Through oral, gestural and emotional memory, the transmission of experiences is valued as a legitimate and dynamic practice for preservation and redefinition in the performing arts. The experience is analyzed under the theoretical framework of Barba and Savarese (2005), Schechner (2006), Taylor (2003), Fischer-Lichte (2008) and Pavis (1996), who highlight the body and performance as active and transformative repositories of cultural and artistic knowledge. This perspective emphasizes the theatrical archive as a dynamic space where the ephemeral and the embodied dialogue with the past, present and future, expanding the possibilities of theater to build memory and project new forms of creation. This approach proposes rethinking archival practices in Chilean theater, positioning bodily memory and human interaction as essential axes for conservation, redefinition and cultural resistance.

2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77521 2025-01-20T12:22:25+00:00 Abel Carrizo-Muñoz revistas.academicas@uchile.cl Fabiola Neira revistas.academicas@uchile.cl

The present article provides a concise, testimonial description of the main milestones and events that took place during the 2000–2024 period related to the history of activities and projects carried out by the group known as LiceU.Chile (Scenic Research and Creation Laboratory of the University of Chile). This collective was founded in 2000 by Professor Abel Carrizo-Muñoz within the Department of Theater at the University of Chile’s Faculty of Arts (DETUCH). This academic working group was established at the beginning of the 21st century in a free, autonomous, and voluntary manner, thus creating one of the first initiatives within an academic unit at a university to propose that research processes could and should be connected to creation processes in an interdisciplinary manner, during a period when such activities were not yet considered significant academic functions in the university setting. Evidence of this is that, at that time, no basic academic administrative structures had been developed to guide, supervise, and support initiatives like the ones we are describing, nor were there financial resources available to sustain them. Among the extensive and diverse academic work conducted in the first quarter of the 21st century, the generation of the scenic poetics known nationally and internationally as post-theater (pt-t) stands out. Some of whose aesthetic characteristics are explained in the respective Manifesto, included in this article.

2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77522 2025-01-20T12:28:11+00:00 Héctor Ponce de la Fuente revistas.academicas@uchile.cl

In this essay we review some significant aspects of Grínor Rojo’s academic career, particularly in relation to his critical and historiographical work on Chilean and Latin American theatre, where two works stand out today recognized as classics for theatrical and literary studies: The Origins of Contemporary Hispanic American Theater (1972) and Death and Resurrection of Chilean Theater (1985)

2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77523 2025-01-20T14:04:48+00:00 Matías Saavedra Maureira revistas.academicas@uchile.cl 2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro https://monitoraraucano.uchile.cl/index.php/TR/article/view/77524 2025-01-20T14:14:09+00:00 Teatro Nacional Chileno revistas.academicas@uchile.cl 2024-12-28T00:00:00+00:00 Copyright (c) 2025 Teatro